Here's the current state (top) and a rough sketch of the desired result (bottom):.This is where the question comes in: What's the proper way to separate the YUV components of my clips for this particular effect? In order to simplistically replicate this process, I've been trying to split my material up into 3 separate YUV channels and work from there intuitively, since I believe it's the luma and chroma signals that make up this analog video effect, before the video gets automatically decoded back into RGB (correct me if I'm wrong). At the present day, the tape was restored in a digital format by an RCA-to-USB converter that connects the VCR to a computer. Now, from that second bit onward, here's how I assumed it went in practical terms: In the '80s or '90s, the movie (my artwork) was restored in a VHS format (with PAL standard) by a telecine machine using the release print. If you have any questions or comments, let me know in the comment section below, or on the video itself.I'm making an artwork and here's how it goes in a nutshell: A fictional movie scene that was (1) shot on film in the '60s, (2) restored in VHS format in the '80s or '90s, and (3) restored again in a digital format in the present day. Just extend the adjustment layer to however long you need. Once you apply this effect to an adjustment layer, the line can go on for as long as you would like. There you have it, a quick VCR Line that can be added to any sequence or set of footage. Take the wave speed and reduce it to about 0.1 or -0.1.This will remove the whitespace on the sides. Go to Pinning and switch it to All Edges.
Take the Direction and change it to 180.Take the Wave Width and adjust it to about 600.Go up to Effect Controls and look for Wave Warp.Go to effects and add the Wave Warp effect. Drag the adjustment layer in to your sequence.First create a sequence, or navigate to an existing sequence where you want to apply the effect.How to Create a VCR Line in Adobe Premiere Pro CC Today, I go over how to create a VCR Line in Adobe Premiere Pro CC. You can either do it with a bad VCR, or in post production where you have a bit more creative leeway. However, nowadays, when creating a time period piece, often times this needs to be recreated. During the yesteryear of VCR, this was a source of frustration that meant something was off with the VCR or tape being used. These “problems” are often a visual feature representing nostalgia, or authenticity. You can use what was once a problem of yesterday, and incorporate it into your project.
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